MALAYALAM ACTRESS PRIYA RAMAN 1974 SEPTEMBER 14

MALAYALAM ACTRESS PRIYA RAMAN 

1974 SEPTEMBER 14

Priya Raman is a Malayalam actress and film producer. She has appeared in Tamil and Malayalam films and in television serials of both languages. 










Her first film was the Rajnikanth produced film Valli, in 1993. Her second film. Arthana, directed by I. V. Sasi and released in 1993 was her debut in Malayalam.

Malayalam Director Joshy cast her as an air force pilot in 1993 in Sainyam with Mammootty. 

In 1997 she appeared in Kalyanappittannu with Dileep, Bhoopathi with Suresh Gopi, Asuravamsam, Thumboli Kadappuram etc. 

with Manoj K Jayan and Aaram Thamburan with Mohanlal. In 2003 she produced the film Bheeshmar.

Filmography[edit]

Year	Film	Role	Language	Notes
1993	Valli	Valli	Tamil
	Arthana	Priya	Malayalam
1994	Subramaniya Swamy	Valli	Tamil
	Kashmeeram	Manasi Varma	Malayalam
	Sainyam	Shradha Kaul	Malayalam
1995	Manthrikam	Betty Fernandez	Malayalam
	Thumboli Kadappuram	Mary Solomon	Malayalam
	Desa Drohulu		Telugu
	Leader		Telugu
	Mana Midiyithu	-	Kannada
	Subha Sankalpam	Sandhya	Telugu
	No. 1 Snehatheeram Banglore North	Hema	Malayalam
	Dora Babu		Telugu
	Maa Voori Maaraju	Janaki	Telugu
1996	Naalamkettile Nalla Thampimar	Neena	Malayalam
	Kumkumacheppu	Deepa	Malayalam
	Srivari Priyuralu	Rukmini	Telugu
	Mangala Sutra		Kannada
	Indraprastham	-	Malayalam
	Ammuvinte Aangalamar	-	Malayalam
1997	Kalyanappittannu	Geethu	Malayalam
	Bhoopathi	Julie Williams	Malayalam
	Asuravamsam	Nanditha Menon	Malayalam
	Aaraam Thampuran	Nayanthara	Malayalam
	Suryavamsam	Gowri	Tamil
1998	Ponmanam	Poornima	Tamil
	Harichandra	Chithra	Tamil
	Pudhumai Pithan	Priya	Tamil
1999	Sparsham	Mahesh's lover	Malayalam
	Gandhiyan	Priya	Malayalam
	Chinna Raja	Priya	Tamil
	Nesam Pudhusu	Vasanthi	Tamil
	Sautela	Bijili	Hindi

HOLLYWOOD ACTRESS JANET GAYNOR BORN 1906 OCTOBER 6

HOLLYWOOD ACTRESS JANET GAYNOR

 BORN 1906 OCTOBER 6 

Janet Gaynor (October 6, 1906 – September 14, 1984) was an American film, stage and television actress and painter.

Gaynor began her career as an extra in shorts and silent films. After signing with Fox Film Corporation (later 20th Century-Fox) in 1926, she rose to fame and became one of the biggest box office draws of the era. In 1929, she was the first winner of the Academy Award for Best Actress for her performances in three films: 7th Heaven (1927), Sunrise: A Song of Two Humans (1927), and Street Angel (1928). 

This was the only occasion on which an actress has won one Oscar for multiple film roles. Gaynor's career success continued into the sound film era, and she achieved a notable success in the original version of A Star Is Born (1937), for which she received a second Best Actress Academy Award nomination.

After retiring from acting in 1939, Gaynor married film costume designer Adrian with whom she had a son. She briefly returned to acting in films and television in the 1950s and later became an accomplished oil painter. 

In 1980, Gaynor made her Broadway debut in the stage adaptation of the 1971 film Harold and Maude and appeared in the touring production of On Golden Pond in February 1982. In September 1982, she sustained multiple injuries in a serious car accident which contributed to her death in September 1984.

Early life[edit]

Gaynor was born Laura Augusta Gainor (some sources stated Gainer) in Germantown, Philadelphia.[1] Nicknamed "Lolly" as a child, she was the youngest of two daughters born to Laura (Buhl) and Frank De Witt Gainor.[2] Frank Gainor worked as a theatrical painter and paperhanger. 

When Gaynor was a toddler, her father began teaching her how to sing, dance, and perform acrobatics.[3] As a child in Philadelphia, she began acting in school plays. After her parents divorced in 1914, Gaynor, her sister, and her mother moved to Chicago. Shortly thereafter, her mother married electrician Harry C. Jone













s.[4] The family later moved west to San Francisco.[5]

After graduating from San Francisco Polytechnic High School in 1923,[4] Gaynor spent the winter vacationing in Melbourne, Florida, where she did stage work. Upon returning to San Francisco, Gaynor, her mother, and stepfather moved to Los Angeles, where she could pursue an acting career. 

She was initially hesitant to do so, and enrolled at Hollywood Secretarial School. She supported herself by working in a shoe store and later as a theatre usher. Her mother and stepfather continued to encourage her to become an actress and she began making the rounds to the studios (accompanied by her stepfather) to find film work.[6]

Gaynor won her first professional acting job on December 26, 1924, as an extra in a Hal Roach comedy short.[6] This led to more extra work in feature films and shorts for Film Booking Offices of America and Universal.[4] Universal eventually hired her as a stock player for $50 a week.

Six weeks after being hired by Universal, an executive at Fox Film Corporation offered her a screen test for a supporting role in the film The Johnstown Flood (1926).[7]

Her performance in the film caught the attention of Fox executives, who signed her to a five-year contract and began to cast her in leading roles.[8][9] Later that year, Gaynor was selected as one of the WAMPAS Baby Stars (along with Joan Crawford, Dolores del Río, Mary Astor, and others),[10]











Career[edit]

By 1927, Gaynor was one of Hollywood's leading ladies. Her image was that of a sweet, wholesome, and pure young woman who was notable for playing her roles with depth and sensitivity.[11] Her performances in 7th Heaven, the first of 12 films she would make with actor Charles Farrell; Sunrise, directed by F. W. Murnau; and Street Angel, also with Charles Farrell, earned her the first Academy Award for Best Actress in 1929,[12] 

when for the first and only time the award was granted for multiple roles, on the basis of total recent work rather than for one particular performance. This practice was prohibited three years later by a new Academy of Motion Picture Arts and Sciences rule.[8] Gaynor was not only the first actress to win the award, but at 22, was also the youngest until 1986, when deaf actress Marlee Matlin, 21, won for her role in Children of a Lesser God.[13]







Gaynor was one of only a handful of established lead actresses who made a successful transition to sound films. In 1929, she was reteamed with Charles Farrell (the pair was known as "America's favorite love birds") for the musical film Sunny Side Up. During the early 1930s, Gaynor was one of Fox's most popular actresses and one of Hollywood's biggest box office draws; in 1931 and 1932, Marie Dressler and she were tied as the number-one draw. 

After Dressler's death in 1934, Gaynor held the top spot alone.[9] She was often cited as a successor to Mary Pickford, and was cast in remakes of two Pickford films, Daddy Long Legs (1931) and Tess of the Storm Country. Gaynor drew the line at a proposed remake of Rebecca of Sunnybrook Farm, which she considered "too juvenile".[14]







Gaynor continued with roles in State Fair (1933) with Will Rogers and The Farmer Takes a Wife (1935), which introduced Henry Fonda to the screen as Gaynor's leading man. However, when Darryl F. Zanuck merged his fledgling studio, Twentieth Century Pictures, with Fox Film Corporation to form 20th Century-Fox, her status became precarious and even tertiary to those of burgeoning actresses Loretta Young and Shirley Temple. 

According to press reports at the time, Gaynor held out on signing with the new 20th Century-Fox until her salary was raised from $1,000 a week to $3,000. The studio quickly issued a statement denying that Gaynor was holding out for more money. She quietly signed a new contract, the terms of which were never made public.[15]

Gaynor co-starred in Ladies in Love (1937) with Constance Bennett, Loretta Young, and Tyrone Power, but her box office appeal had already begun to wane: once ranked number one, she had dropped to number 24. She considered retiring due to her frustration with studio executives, who continued to cast her in the same type of role that brought her fame while audiences' tastes were changing.[11

] After 20th Century-Fox executives proposed that her contract be renegotiated and she be demoted to featured player status, Gaynor left the studio, but her retirement plans were quashed when David O. Selznick offered her the leading role in a new film to be produced by his company, Selznick International.[16] Selznick, who was friendly with Gaynor off-screen, was convinced that audiences would enjoy seeing her portray a character closer to her true personality.

 He believed that she possessed the perfect combination of humor, charm, vulnerability, and innocence for the role of aspiring actress Esther Blodgett (later "Vicki Lester") in A Star Is Born.[11] Gaynor accepted the role. The romantic drama was filmed in Technicolor and co-starred Fredric March. Released in 1937, it was an enormous hit and earned Gaynor her second Academy Award nomination for Best Actress; she lost to Luise Rainer for The Good Earth.[8][11]

A Star Is Born revitalized Gaynor's career, and she was cast in the screwball comedy The Young in Heart with Paulette Goddard. That film was a modest hit, but by then Gaynor had definitely decided to retire.[8] She later explained, "I had been working steadily for 17 long years, making movies was really all I knew of life. I just wanted to have time to know other things. Most of all I wanted to fall in love. I wanted to get married. I wanted a child. And I knew that in order to have these things one had to make time for them. So I simply stopped making movies. Then as if by a miracle, everything I really wanted happened."[12] At the top of the industry, she retired at age 
Personal life[edit]
Marriages[edit]

Gaynor was married three times and had one child. Her first marriage was to lawyer Jesse Lydell Peck, whom she married on September 11, 1929. 

Gaynor's attorney announced the couple's separation in late December 1932.[24] She was granted a divorce on April 7, 1933.[25] On August 14, 1939,













 she married MGM costume designer Adrian in Yuma, Arizona.[26] This relationship has been called a lavender marriage, since Adrian was openly gay within the film community while Gaynor was rumored to be gay or bisexual.

27][28][29][30] The couple had one son, Robin Gaynor Adrian, born in 1940.[18] They remained married until Adrian's death from a stroke on September 13, 1959.[31]

On December 24, 1964, Gaynor married her longtime friend, stage producer Paul Gregory, to whom she remained married until her death.[7] The two maintained a home in Desert Hot Springs, California and also owned 3,000 acres of land near Brasília.[7][32]

Sexuality[edit]

Gaynor and her husband traveled frequently with her close friend Mary Martin and her husband.[33][34][35] A Brazilian press report noted that Gaynor and Martin briefly lived with their respective husbands in the state of Goiás in the 1950s and 1960s.[36]

Final years and death[edit]

Gaynor's gravestone at Hollywood Forever Cemetery
On the evening of September 5, 1982, Gaynor, her husband Paul Gregory, actress Mary Martin, and Martin's manager Ben Washer were involved in a serious car accident in San Francisco. A van ran a red light at the corner of California and Franklin Streets and crashed into the Luxor taxicab in which the group was riding, knocking it into a tree.[37] 

Ben Washer was killed, Mary Martin sustained two broken ribs and a broken pelvis, and Gaynor's husband suffered two broken legs.[38] Gaynor sustained several serious injuries, including 11 broken ribs, a fractured collarbone, pelvic fractures, a punctured lung, and injuries to her bladder and kidney.[39]

 The driver of the van, Robert Cato, was arrested on two counts of felony drunk driving, reckless driving, speeding, running a red light, and vehicular homicide.[37][38] Cato pleaded not guilty and was later released on $10,000 bail.[38] On March 15, 1983, he was found guilty of drunk driving and vehicular homicide and was sentenced to three years in prison.[40]

As a result of her injuries, Gaynor was hospitalized for four months and underwent two surgeries to repair a perforated bladder and internal bleeding.[38][41] She recovered sufficiently to return to her home in Desert Hot Springs, but continued to experience health issues due to the injuries and required frequent hospitalizations. 

Shortly before her death, she was hospitalized for pneumonia and other ailments. On September 14, 1984, Gaynor died at Desert Hospital in Palm Springs at the age of 77. Her doctor, Bart Apfelbaum, attributed her death to the 1982 car accident and stated that Gaynor "...never recovered" from her injuries.[42]

Gaynor is buried at Hollywood Forever Cemetery next to her second husband Adrian. Her headstone reads "Janet Gaynor Gregory", her legal name after her marriage to her third husband, producer and director Paul Gregory.[4

NEHA OBEROI ACTRESS,BOLLIWOOD -BORN 1985 SEPTEMBER 15

NEHA OBEROI ACTRESS,BOLLIWOOD 

-BORN 1985 SEPTEMBER 15

Neha Oberoi is an Indian actress who has acted in Tollywood and Bollywood films.

Name – Neha Oberoi
Nick Name – Nishu
Born Place – Mumbai, India
Birthday Date – 15th September 1985 
Occupation – Actress / Model
Nationality – Indian
Religion – Hindu
Father Name – Dharam Oberoi
Mother Name – Not Available
Husband Name – Vishal Shah
Height in Feet – 5 feet 8 inches (1.76 m)
Height in Centimeter (cm) – 176 cm
Weight in Kilogram (kg) – 58 kg
Hair Color – Black
Eye Color – Black
Body Measurements – 34-28-36

Personal life[edit]

Oberoi is the daughter of film producer Dharam Oberoi and niece of director Sanjay Gupta. 

She married Indian diamond merchant Vishal Shah on 14 December 2010.[1]

















Career[edit]

She has appeared in the Bollywood films Dus Kahaniyaan, EMI & Woodstock Villa.[2][3] She is currently shooting for an untitled film with Imran Khan.

Her foray into films started with the Telugu blockbuster Balu ABCDEFG and was followed by a role in one of the short films in Dus Kahaniyaan. 

Her role in Woodstock Villa won her much critical acclaim, yet the film failed to perform at the Box office.

Oberoi is a member of International Film And Television Club of Asian Academy Of Film & Television, Noida.





Filmography[edit]
Aasman (2011)
Woodstock Villa (2008)
EMI (2008)
Dus Kahaniyan (2007)
Brahmastram (2006)
Balu ABCDEFG (2005)
Awards[edit]
Filmfare Best Supporting Actress Award (Telugu) - Balu (2005)

INDIAN ACTRESS RAMYA KRISHNAN BORN 1971 SEPTEMBER 15

INDIAN ACTRESS RAMYA KRISHNAN 

BORN 1971 SEPTEMBER 15

Add caption

Ramya Krishnan (born 15 September 1970[1] in Chennai) is an Indian film actress. She has acted in over 200 films in five languages: Tamil, Telugu, Kannada, Malayalam and Hindi. Predominantly, she acted in almost 100 Telugu and 60 Tamil movies.

Early life and background[edit]

Krishnan was born in Chennai. She is the niece of veteran Tamil comedian Cho Ramaswamy. She received initial training in Bharathanatyam, Western and Kuchipudi dance forms and has given many stage performances.[2] Her mother tongue is Tamil.











Film career[edit]

Krishnan started her acting career at the age of 13 with the Malayalam film Neram Pularumbol featuring Mammootty and Mohanlal in the lead.[3] This film had a delayed release in 1986. Her first release was Vellai Manasu (1985), a Tamil film opposite Y. G. Mahendra.

Krishnan's first Telugu film was Bhalae Mithrulu. She achieved fame through Kasinadhuni Viswanath’s Sutradharulu, released in 1987. She emerged as one of the leading actresses in the Telugu industry alongside Radha, Banupriya, Vijayashanti, Soundarya and Meena in the 1980's and 90's. 








She has been paired with leading actors such as

 N. T. Rama Rao, Akkineni Nageswara Rao, Krishna, Chiranjeevi, Nagarjuna, Venkatesh, Balakrishna, Jagapati Babu, Rajendra Prasad, Srikanth, Rajasekhar, Junior NTR, and Mahesh Babu.[4]

 She received two prestigious Nandi Awards from the Government of Andhra Pradesh and a National Award from the Indian Government as well. She won the Special Jury award for her performance in Dasari Narayana Rao's film Kante Koothurne Kanu from the Andhra Pradesh state government.

She was a judge in a dancing show on STAR Vijay: Jodi Number One, season 1, followed by season 5.

She played lead role in several SunTV serials such as Kalasam, Thangam, Rajakumari and Vamsam.

Her most recent film is Baahubali: The Beginning where she played Shivagami the Rajamata and the caretaker of King Bahubali and soggade chinni nayana where she played the role of satyabhama and she is also playing a very important role in Allari Naresh's upcoming movie Mama Manchu, Alludu Kanchu.[5][6]

Personal life[edit]

She married Telugu film director Krishna Vamsi on 12 June 2003.

 They have a son named Ritwik.[4]

Awards[edit]

Filmfare Awards
Filmfare Award for Best Actress – Tamil – Padayappa (1999)
Filmfare Award for Best Supporting Actress – Telugu – Konchem Ishtam Konchem Kashtam (2009)
Filmfare Award for Best Supporting Actress - Telugu - Baahubali: The Beginning (2015)[7]
Tamil Nadu State Film Awards
Tamil Nadu State Film Awards Best Actress (Special Prize) - Padayappa (1999)
Nandi Awards
Nandi Award for Best Actress - Kante Koothurne Kanu (1998)
Nandi Award for Best Supporting Actress - Raju Maharaju (2009)
Dubai Amma Awards 2007
Dubai Amma Award for Best Supporting Actress - Malayalam - Ore Kadal (2007)
Amrita Film Awards 2007
Amrita Film Award for Best Supporting Actress - Malayalam - Ore Kadal (2007)
Sun TV Family Awards
Best Actress Special Award - Thangam (2009)
Vikatan Awards 2015
Best Supporting Actress - Tamil - Baahubali (2015)
IIFA Utsavam Awards 2016
Best Supporting Actress - Tamil - Baahubali: The Beginning (2015)
Best Supporting Actress - Telugu - Baahubali: The Beginning (2015)

கோவை சரளா -நடிப்பே பிரதானம்

கோவை சரளா -நடிப்பே பிரதானம் 

தமிழ், மலையாளம், தெலுங்கு, கன்னடம் என 700 படங்களுக்கு மேல் நடித்திருப்பவர் கோவை சரளா. இப்போதும் தமிழ் சினிமாவின் காமெடி நடிகைகளில் நம்பர் ஒன் இடத்தில் இருக்கிறார். ‘இட்லி’ படத்தின் படப்பிடிப்புக்காக தயாராகிக் கொண்டிருந்தவரிடம் பேசியபோது...

« தமிழ் சினிமா காமெடியில் தற்போது நடிகைகளுக்கு முக்கியத்துவம் கொடுப்ப தில்லையே..?

ஆரம்ப காலத்தில் காமெடி எழுது பவர்கள் பலர் இருந்தார்கள். இப்போது என்ன கதை எடுக்கிறோம் என்று சில இயக்குநர்களுக்கே தெரிவதில்லை. அதனால் கதாபாத்திரங்களுக்கு யாரை ஒப்பந்தம் செய்வது என்பதும் தெரிவ தில்லை. இன்று காமெடி எழுதுபவர்கள் மிகவும் குறைவு. காமெடி நடிகர்கள் தங்களை நிலைநிறுத்திக்கொள்ள 4 பேரை உடன் வைத்துக்கொண்டு காட்சிகளை எழுதிக்கொள்கின்றனர். அவர்களுக்கு மட்டும் முக்கியத்துவம் உள்ளதுபோலத்தான் அவர்கள் எழுதிக் கொள்வார்கள். காமெடி நடிகைகளுக்கு முக்கியத்துவம் குறைந்ததற்கு இதுவே காரணம்.

« தமிழக அரசு விருது பெற்றிருக்கிறீர் கள். இன்னும் தேசிய விருது பெற வில்லையே..?

இப்போதெல்லாம் விருதுகளுக்கு பரிந்துரை அவசியம். தொழில்நுட்பம் வளர்ந்தாலும், சினிமாவில் பரிந்துரை ரொம்ப முக்கியமாக இருக்கிறது. யாரும் பரிந்துரை செய்து எனக்கு விருது அவசியம் இல்லை. அதுவாக வந்தால் ஏற்றுக் கொள்வேன். விருதுக் காக நான் நடிக்க வரவில்லை. அது மட்டுமன்றி, இன் னும் என்னை ஒரு காமெடி நடிகையாகத் தான் பார்க் கிறார்கள். நான் இன்னும் குணச் சித்திர நடிகை யாக அவர்கள் மன தில் பதியவில்லை என நினைக்கிறேன். நான் இன்னும் சிறப் பாக நடித்தால் கொடுக்கலாம். தேசிய விருது கிடைக்கவில்லையே என்ற ஏக்கம் எதுவும் எனக்கு இல்லை.

« காமெடி - குணச்சித்திரம் இரண்டில் எதில் நடிக்கப் பிடிக்கும்?

சிறுவயதில் இருந்தே நடிப்பை காதலித்துதான் சினிமாவுக்கு வந் தேன். அதில் எந்த பாத்திரம் வந்தாலும் சவாலாக ஏற்றுக்கொண்டு நடிக்கிறேன். தினமும் படப்பிடிப்புக்கு வரும்போது, புதுமுக நடிகையாக நினைத்துக்கொண்டுதான் வருகிறேன். என் தொழிலுக்கு ரொம்ப உண்மையாக இருக்கிறேன்.

X STD STUDENT ACTS AS PRAGNENT
 WOMAN-MUNTHAANAI MUDICHI

« இன்னும் திருமணம் செய்து கொள்ளாததற்கு என்ன காரணம்?

எல்லோரையும் போலத்தான் நானும் இருக்க வேண்டுமா? வித்தியாசமாக இருந்துவிட்டுப் போகிறேனே! ஒரு குகைக்குள் போகும்வரை அதில் என்ன இருக்கும் என்று எதிர்பார்ப்பு இருக்கும். உள்ளே போனதும், வெளியே இருப்பவர்களைப் பார்த்து, ‘உங்களை மாதிரி நானும் வெளியிலேயே நின்றிருக்கலாம்’ என்பார்கள். திருமண மான பெண்கள் பலரிடம் இந்த எண்ணம்தான் இருக்கும் என நினைக்கிறேன். தனியாக இருப்பதும் கஷ்டம்தான். மறுக்கவில்லை. ஆனால், அதுகூட ஒரு பெரிய குடும்பத்துக்கு சமம். ஒரு குழந்தை பிறந்தால், அந்த குழந்தையைச் சுற்றியே வாழ்க்கை இருக்கும். தனியாக இருப்பவர்களுக்கு அனைவருமே குழந்தைகள்தான்.

« உங்கள் வாழ்க்கையில் காதல் என்பதே இல்லையா..?

காதலித்திருந்தால் இந்நேரம் திரு மணம் செய்திருப்பேன். காலில் விழுந்தாவது ‘தாலி கட்டுய்யா’ என்று கேட்டிருப்பேன். சிறு வயதில் சாதிக்க வேண்டும் என்ற வெறி மட்டுமே இருந்தது. குதிரைக்கு கடிவாளம் போட்டது மாதிரி, என் கவனம் முழுவதும் ஒரே பக்கமாக இருந்தது. எனக்கு உண்மையில் யார் மீதும் காதல் வரவில்லை. என்னை யாரும் காதலிக்கவும் இல்லை.

« இப்போதைய காமெடி பற்றி?

கடைசியாக வடிவேலு காமெடி ரசிக்கும்படி, வாய்விட்டு சிரிக்கும்படி இருந்தது. இப்போது அதுபோல இல்லை. வண்டி ஓட்டணுமே என்று காமெடி செய்கிறார்கள். தமிழ் சினிமா வில் காமெடிக்கு பஞ்சமாகிவிட்டது. நல்ல கருத்தான, தெளிவான காமெடி இப்போது வருவதில்லை. இதுதான் உண்மை!

« தமிழகத்தில் ஒருதலைக் காதல் கொலைகள் அதிகரித்துவிட்டது. தமிழ் சினிமாவில் நாயகர்களை சித்தரிக்கும் விதம்தான் அதற்கு காரணம் என்கிறார்கள். இதில் உங்கள் கருத்து...

இதை 100 சதவீதம் மறுக்கிறேன். சினிமாவைப் பார்த்துதான் ஒருவன் கெட்டுப்போகிறான் என்பது மிகப்பெரிய பொய். இன்றைக்கு அனைத்து மக்களின் மனதிலும் உடனே பணக்காரனாக வேண்டும் என்ற எண்ணம் இருக்கிறது. ஆசைகள் அதிகமாவதால் கொலைகள் நடக்கிறது. இதற்காக சினிமா மீது பழி போடக்கூடாது. அனைத்து பிரச்சினைகளையும் மறந்து 2 மணி நேரம் சினிமா பார்க்கிறீர்கள். அந்த சினிமாவை குறை சொன்னால் மக்களின் வாழ்க்கையில் அந்த 2 மணி நேர நிம்மதியும் இல்லாமல் போய்விடும்.

« தேர்தல் பிரச்சாரம் செய்தீர்கள். பிறகு விலகிவிட்டீர்கள். என்ன காரணம்?

எனக்கு அரசியல் பிடிக்கவில்லை. தவிர, சினிமா வேலையே சரியாக இருக்கிறது. என்னை வற்புறுத்தி அழைத்ததால் அரசியலுக்கு வந்தேன். அங்கு பலரைப் பற்றியும் பல விதமாகப் பேசவேண்டி இருக் கிறது. ஆளுக்கு தகுந்த மாதிரி ஜால்ரா போடுவது எனக்கு பிடிக்காது. சினிமாவில் அதெல்லாம் கிடையாது. பிடித்தால் பேசுவேன், இல்லையா போய்க்கொண்டே இருப்பேன்.